399 篇文章
这部新改编作品虽视觉精美,却将故事中备受喜爱的温馨感换成了令人厌倦的乏味。

The new adaptation, though visually exquisite, swaps the story’s much-loved comfort for dutiful tedium.
两位艺术家都发布了新专辑——《音乐,时尚,电影》和《现实在等待》——在真诚的粗粝与朋克式的漫不经心之间摇摆。

Both artists have released new albums—“Music, Fashion, Film” and “Reality Awaits”—that seesaw between raw sincerity and punkish insouciance.
在2016年大选期间,美国大部分地区首次接触到互联网机器人的概念。如今,仅仅十年后,它们似乎无处不在。

During the 2016 election, much of the country was introduced to the concept of internet bots for the first time. Now, just a decade later, it feels like they’re everywhere.
沐浴在阳光中。

Soaking up the sun.
作者讨论她的短篇小说《尘世之乐》。

The author discusses her story “Earthly Delights.”
Somssi的经营者是Atomix餐厅集团的资深人士,它懂得如何不费吹灰之力就让你上钩。

Somssi, from a veteran of the restaurant group behind Atomix, knows how to reel you in without trying too hard.
凯莉·米洛2023年的这首热门歌曲,属于那种扎实、适合跳舞的流行音乐,几乎无法穿透那些自称三十多岁老家伙们的耳膜。

Kylie Minogue’s 2023 hit belongs to a category of solid, danceable pop music that barely penetrates the eardrums of self-professed thirtysomething old folks.
《我想要你的性》的导演讨论Z世代是否拥有足够的性体验,邀请Charli XCX和约翰尼·诺克斯维尔出演,以及“怪异、可怕、令人困惑的经历”的重要性。

The director of “I Want Your Sex” discusses whether Gen Z is having enough of it, casting Charli XCX and Johnny Knoxville, and the importance of “weird, scary, confusing experiences.”
她同名的独角戏是她好莱坞星途的种子,如今一场新的复排将其视为某种母系传承的源头,代代相传给两代黑人女演员。

Her eponymous one-woman show was the seed of her Hollywood stardom, which a new revival now frames as the source of something matrilineal, passed down to two generations of Black actresses.
在《生物战争》中,安妮·雅各布森想象社会因人为瘟疫而崩溃——这是此类预言浪潮的一部分。但当我们试图预测未来时,我们错过了什么?

In “Biological War,” Annie Jacobsen imagines society collapsing from a man-made plague—part of a wave of such prophecies. But what do we miss when we try to predict the future?
Kent Nishimura的摄影作品捕捉了让特朗普秀得以继续的幕后劳动。

Kent Nishimura’s photographs capture the backstage labor that allows the Trump show to go on.
对不具吸引力者的歧视普遍存在,且被广泛容忍。

Discrimination against the unattractive is widespread—and widely tolerated.
此外:Flaco猫头鹰纪录片、黛布拉·温格与阿利斯·霍华德演绎《金游戏》、Broken Social Scene乐队及友人造访布鲁克林,以及更多。

Also: Flaco the Owl gets a documentary, Debra Winger and Arliss Howard play “The Gin Game,” Broken Social Scene and friends drop in on Brooklyn, and more.
环孢子虫疫情暴露了我们资金不足、不堪重负的公共卫生体系。
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The cyclospora outbreak lays bare our underfunded and overwhelmed public-health system.
是的,拉下百叶窗是我每晚的任务,她从来不会想到去做,但那时我已经离家半小时了。

Yes, pulling the shade was my nightly task, and she’d never think to do it, but already I was half an hour away from home.
委内瑞拉导演洛雷娜·阿尔瓦拉多的首部长片,由她的亲属出演虚构剧情,将一位年轻女性的归乡与她的艺术抱负联系起来。

The Venezuelan director Lorena Alvarado’s first feature, starring her own relatives in a fictional drama, connects a young woman’s homecoming and her artistic ambitions.
在纪录片短片《索耶大道,周日下午》中,执法记录仪和旁观者镜头审视了居民与联邦特工之间的对峙。

In the documentary short “Sawyer Avenue, Sunday Afternoon,” body-cam and bystander footage examine a confrontation between residents and federal agents.
约恩·卡尔曼·斯特凡松的《男孩三部曲》虽以偏远的西峡湾为背景,其雄心却是普世的。

Jón Kalman Stefánsson’s “Trilogy About the Boy” is set in the remote Westfjords but its ambition is universal.
作者哈莱姆三部曲的最终卷现已出版;阅读我们对其作品集的推荐。

The final book in the author’s Harlem Trilogy is out now; read our recommendations from his œuvre.
我们曾担心人们不再去电影院;如今,影迷们却朝圣般涌向全国仅有的二十五家影院,只为观看《奥德赛》以IMAX 70毫米胶片格式呈现的原始风貌。

We used to worry about people going to the cinema at all; now film lovers are making pilgrimages to one of the twenty-five theatres in the country equipped to project “The Odyssey” in its intended format: IMAX 70-mm.
冷酷的大亨和财富情色剧已过时。在现实经济低迷中,2026年最伟大的剧集——从《怒呛人生》到《归来记》——都在讲述勉强度日的故事。

Soulless moguls and wealth porn are out. Amid a real-life economic downturn, the greatest shows of 2026—from “Beef” to “The Comeback”—are all about scraping by.
二十年来,艾米丽·舒尔——她在2000年代初为光鲜杂志拍摄——一直珍藏着一批来自昔日名流时代的影像。

For two decades, Emily Shur, who shot for glossy magazines in the early two-thousands, has been sitting on a trove of images from a bygone era of fame.
一个汗流浃背的美国人在空调匮乏中的冒险。

One sweat-soaked American’s adventures in A.C. deprivation.
世界杯中场秀,贾斯汀·比伯、防弹少年团和夏奇拉也参与其中,其前提是音乐——以及名人——可以成为跨文化的万能药。

The World Cup halftime show, which also featured Justin Bieber, BTS, and Shakira, was premised on the idea that music—and celebrity—can serve as a cross-cultural panacea.